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Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. [ 1 ] The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals , muselar , and spinet .
The disposition of a harpsichord is the set of choirs of strings it contains. This article describes various dispositions and gives the standard notation for describing them. If a harpsichord contains just one set of strings at normal concert pitch, its disposition is called 1 x 8'. Here, the 8' means eight foot pitch, which designates normal ...
An organ pipe, or a harpsichord string, designated as eight-foot pitch (8′) is sounded at standard, ordinary pitch. [1] For example, the A above middle C in eight-foot pitch would be sounded at 440 Hz (or at some similar value, depending on how concert pitch was set at the time and place the organ or harpsichord was made).
The sound of the Kirkman and Shudi instruments is described by the authors of Grove Dictionary as "enormously rich and powerful"; "whereas that of a French harpsichord may be compared to the sound of a woodwind ensemble, the tone of these developed English instruments, with their brilliant trebles and imposing basses, may be compared to that of ...
What primarily distinguishes the spinet is the angle of its strings: whereas in a full-size harpsichord, the strings are at a 90-degree angle to the keyboard (that is, they are parallel to the player's gaze); and in virginals they are parallel to the keyboard, in a spinet the strings are at an angle of about 30 degrees to the keyboard, going ...
Like the harpsichord, the virginals has its origins in the psaltery, to which a keyboard was applied, probably in the 15th century. The first mention of the word is in Paulus Paulirinus of Prague's (1413–1471) Tractatus de musica , of around 1460, where he writes: "The virginal is an instrument in the shape of a clavichord, having metal ...
Much of the musical repertoire written for harpsichord and organ from the period circa 1400–1800 can be played on the clavichord; however, it does not have enough (unamplified) volume to participate in chamber music, with the possible exception of providing accompaniment to a soft baroque flute, recorder, or single singer. J. S.
The creation of the tangent piano, and the fortepiano, were the results of attempts to remedy the lack of dynamics in harpsichord sound. Both the tangent piano and fortepiano offered a variety of sound that was appealing to the changes in classical music, which featured more expressiveness and intensity than the harpsichord could offer.