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The Birthday Party (1957) is the first full-length play by Harold Pinter, first published in London by Encore Publishing in 1959. [1] It is one of his best-known and most frequently performed plays. [ 2 ]
Harold Pinter's reading of a selection of his prose fiction and poems, 92nd Street Y New York City, 12 November 1964 – Hyperlinked in "92Y Podcast: Remembering Harold Pinter, British Playwright", 25 December 2008 (MP3; 65:41); includes: "Tea Party / New Year in the Midlands / A Glass at Midnight / You in the Night / The Drama in April / The ...
The Birthday Party is a 1968 British drama neo noir directed by William Friedkin and starring Robert Shaw. It is based on the 1957 play The Birthday Party by Harold Pinter. The screenplay for the film was written by Pinter as well. The film, and the play, are considered examples of "comedy of menace", a genre associated with Pinter.
In 1964, The Birthday Party was revived both on television (with Pinter himself in the role of Goldberg) and on stage (directed by Pinter at the Aldwych Theatre) and was well received. [ 113 ] By the time Peter Hall's London production of The Homecoming (1964) reached Broadway in 1967, Pinter had become a celebrity playwright, and the play ...
The Collection is a 1961 play by Harold Pinter featuring two couples, James and Stella and Harry and Bill. It is a comedy laced with typically "Pinteresque" ambiguity and "implications of threat and strong feeling produced through colloquial language, apparent triviality, and long pauses" (Oxford English Dictionary).
The Room is Harold Pinter's first play, written and first produced in 1957. Considered by critics the earliest example of Pinter's "comedy of menace", this play has strong similarities to Pinter's second play, The Birthday Party, including features considered hallmarks of Pinter's early work and of the so-called Pinteresque: dialogue that is comically familiar and yet disturbingly unfamiliar ...
The Hothouse (1958/1980) is a full-length tragicomedy written by Harold Pinter in the winter of 1958 between The Birthday Party (1957) and The Caretaker (1959). After writing The Hothouse in the winter of 1958 and following the initial commercial failure of The Birthday Party, Pinter put the play aside; in 1979 he re-read it and directed its first production, at Hampstead Theatre, where it ...
"That Harold Pinter occupies a position as a modern classic is illustrated by his name entering the language as an adjective used to describe a particular atmosphere and environment in drama: 'Pinteresque' "–placing him in the company of authors considered unique or influential enough to elicit eponymous adjectives. [2]