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"The Key to Life on Earth" is a song by English singer, songwriter, and musician Declan McKenna. It was released as the second single from his second studio album, Zeros , on 14 April 2020. [ 1 ] The song was written by Declan McKenna , Max Marlow and produced by Jay Joyce .
"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
Howard was born on September 8, 1927, in Detroit, Michigan, and grew up on a farm in Michigan. As a child, he listened to the Grand Ole Opry radio show. In later years, Howard recalled the personal formative influence of country music: I was captured by the songs as much as the singer. They grabbed my heart. The reality of country music moved me.
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"Going Up the Country" (also "Goin' Up the Country") is a song adapted and recorded by American blues rock band Canned Heat. Called a "rural hippie anthem", [3] it became one of the band's biggest hits and best-known songs. [4] As with their previous single, "On the Road Again", the song was adapted from a 1920s blues song and sung by Alan Wilson.
"Caught Up in the Country" is a song recorded by American country music singer Rodney Atkins, featuring vocals from the Fisk Jubilee Singers. It was written by Connie Harrington, Jordan Schmidt, and Mike Walker, and was released in March 2018 on Curb Records. The song is the lead single and title track of his 2019 album of the same name.
"Up The Country" is a popular poem by iconic Australian writer and poet Henry Lawson. [1] It was first published in The Bulletin magazine on 9 July 1892, under the title "Borderland ." [ 2 ] Its publication marked the start of the Bulletin Debate , a series of poems by both Lawson and Andrew Barton "Banjo" Paterson asserting contrasting views ...
Reviewed in Disc, "In the Country" was described as "so hideously catchy everyone will be bouncing off the walls to it, whether they want to or not". [3] Peter Jones for Record Mirror wrote that it was "a very strong song" with "the Shads contributing the vocal wordlessness behind Cliff, who fair swings through a rather typical show tune. Has ...