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The 2004 AQA Anthology was a collection of poems and short texts. The anthology was split into several sections covering poems from other cultures, the poetry of Seamus Heaney, [4] Gillian Clarke, Carol Ann Duffy and Simon Armitage, and a bank of pre-1914 poems. There was also a section of prose pieces, which could have been studied in schools ...
The poem is about the contrast between these people and the gap that is developing between the rich and poor even in the USA which is meant to be a 'democracy'. [ 1 ] [ 2 ] The description of the couple as "Beautiful People" is perhaps ironic as the term was first used to describe those had held countercultural ideals during the 1960s. [ 2 ]
Education for Leisure" is a poem by Poet Laureate Carol Ann Duffy which explores the mind of a person who is planning to commit a murder. [1] Until 2008 the poem was studied at GCSE level in England and Wales as part of the AQA Anthology, a collection of poems by modern poets such as Duffy and Seamus Heaney.
"Nothing's Changed" is a poem by Tatamkhulu Afrika. It is part of the AQA GCSE Anthology. References ... at 15:30 (UTC). Text is ...
Her poem Tissue appears in the 2017 AQA poetry anthology for GCSE English Literature. [10] Her poems Living Space and In Wales, wanting to be Italian also appear in the Eduqas WJEC poetry anthology for GCSE English Literature. [11] Dharker was a member of the judging panel for the 2008 Manchester Poetry Prize, with Gillian Clarke and Dame Carol ...
He created Poetry Live to engage 15-16 year old students with the texts they were being asked to study as part of their GCSE English Literature course. The original 1990s Poetry Live tour consisted of 50 events, with an audience of around 75,000 students, [ 2 ] and grew to an average audience of 100,000 students a year by 2008.
His poems "Half Caste" and "Checking Out Me History" have been featured in the Edexcel and AQA English GCSE anthologies respectively, meaning that many students (aged 13–16) have studied his work for their GCSE English qualifications. [9]
Agard uses phonetic spelling throughout the poem, in order to create the voice of the speaker. It was included in the AQA Anthology, [1] and is currently included in the Pearson Edexcel GCSE (9–1) English Literature Poetry Anthology, meaning that many British school pupils study the poem for their GCSE English Literature qualification. [2]