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Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image, or how much of it appears sharp and clear. In deep focus, the foreground, middle ground, and background are all in focus. Deep focus is normally achieved by choosing a small aperture.
Gregg Wesley Toland (May 29, 1904 – September 28, 1948) was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' Citizen Kane (1941), William Wyler's The Best Years of Our Lives (1946), and John Ford's The Grapes of Wrath, and The Long Voyage Home (both, 1940).
Deep Focus: Film and Theology in Dialogue, with Robert K. Johnston and Kutter Callaway, Baker Academic, 2019 Selfies: Searching for the Image of God in a Digital Age, Brazos Press, 2018 iGods: How Technology Shapes Our Spiritual and Social Lives, Brazos Press, 2013
In Citizen Kane (1941), cinematographer Gregg Toland and director Orson Welles used tighter apertures to create every detail of the foreground and background of the sets in sharp focus. This practice is known as deep focus. Deep focus became a popular cinematographic device from the 1940s onward in Hollywood. Today, the trend is for more ...
Bazin praised the film for its innovative use of mise-en-scène and deep focus cinematography, advocating for a filmic realism that allows audiences to engage more actively with the narrative. Bazin's essays, especially "The Technique of Citizen Kane," played a crucial role in enhancing the film's reputation, arguing it revolutionized film ...
In addition to its unique depth of field properties, the Frazier lens is significantly smaller than previous deep focus lenses allowing more versatility and flexibility to cinematographers. The main feature of the lens, an extended tube with a rotating prism , allows cinematographers to place the camera in a variety of positions for a given shot.
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André Bazin (French:; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist.He started to write about movies in 1943 and was a co-founder of the renowned film magazine Cahiers du cinéma in 1951 alongside Jacques Doniol-Valcroze and Joseph-Marie Lo Duca.