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The last line of the prepared address echoes the second and third lines of the poem. [2] [3] The same lines were also used in the lyrics of Pink Floyd's "The Gunner's Dream" (1983, on The Final Cut) [4] and Al Stewart's "Somewhere in England 1915" (2005, on A Beach Full of Shells). The poem is read in its entirety in films Oh!
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff , are approaching Macbeth 's castle to besiege it.
Tomorrow, at dawn, at the moment when the day breaks, I will go. You see, I know that you are waiting for me. I will go through the forest, I will go across mountains. I cannot stay away from you any longer. I will walk eyes fixed on my thoughts, Without seeing anything outside, without hearing a noise, Alone, unknown, back hunched, hands crossed,
"Tom o' Bedlam" is the title of an anonymous poem in the "mad song" genre, written in the voice of a homeless "Bedlamite". The poem was probably composed at the beginning of the 17th century. In How to Read and Why Harold Bloom called it "the greatest anonymous lyric in the [English] language." [1]
When you go home, tell them of us and say For your tomorrow, we gave our today. He was the author of an item in The Times , 6 February 1918, page 7, headed "Four Epitaphs" composed for graves and memorials to those fallen in battle – each covering different situations of death.
"If—" is a poem by English poet Rudyard Kipling (1865–1936), written circa 1895 [1] as a tribute to Leander Starr Jameson. It is a literary example of Victorian-era stoicism. [2] The poem, first published in Rewards and Fairies (1910) following the story "Brother Square-Toes", is written in the form of paternal advice to the poet's son ...
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The first edition, in October, featured two of his own poems—"To Whistler, American" and "Middle Aged". Also that month Stephen Swift and Co. in London published Ripostes of Ezra Pound, a collection of 25 poems, including a contentious translation of The Seafarer, [109] that demonstrate his shift toward minimalist language. [79]