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Academic Laurie Osborne identifies the direct influence of Hamlet in numerous modern narratives, and divides them into four main categories: fictional accounts of the play's composition, simplifications of the story for young readers, stories expanding the role of one or more characters, and narratives featuring performances of the play. [146]
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Hamlet is one of the most-quoted works in the English language, and often included on lists of the world's greatest literature. [4] As such, it has proved a pervasive influence in literature. For instance, Henry Fielding's Tom Jones, published about 1749, merely describes a visit to Hamlet by Tom Jones and Mr Partridge. [5]
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
The name Hamlet occurs in the form Amleth in a 13th-century book of Danish History written by Saxo Grammaticus, popularised by François de Belleforest as L'histoire tragique d'Hamlet, and appearing in the English translation as "Hamblet". The story of Amleth is assumed to originate in Old Norse or Icelandic poetry from several centuries earlier.
One of Shakespeare's famous tragedies, the story follows Prince Hamlet, who is encouraged by his father's ghost to avenge his death by killing his uncle, the usurper of the throne.
The Dead Fathers Club, a novel by Matt Haig, retells the story of Hamlet from the point of view of an 11-year-old boy in modern England. [80] Anton Chekhov wrote a feuilleton titled I am a Moscow Hamlet (1891), the mutterings of a gossip-mongering actor who contemplates suicide out of sheer boredom. [81]
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