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Bagatelle sans tonalité ("Bagatelle without tonality", S.216a) is a piece for solo piano written by Franz Liszt in 1885. The manuscript bears the title "Fourth Mephisto Waltz" [1] and may have been intended to replace the piece now known as the Fourth Mephisto Waltz when it appeared Liszt would not be able to finish it; the phrase Bagatelle ohne Tonart actually appears as a subtitle on the ...
Harmonies poétiques et religieuses (Poetic and Religious Harmonies), S.173, is a cycle of piano pieces written by Franz Liszt at Woronińce (Voronivtsi, the Polish-Ukrainian country estate of Liszt's mistress Princess Carolyne von Sayn-Wittgenstein) in 1847, and published in 1853.
1st version of S.8/2 8/2 J 5b Missa quattuor vocum ad aequales (Szekszárd Mass) mch org 1869 Choral, sacred 2nd version of S.8/1; themes used in S.264 9 I 2 Missa Solennis (Graner Mass) sop alt ten bass ch orch 1857–58 Choral, sacred extract ('Poco adagio') arr. for pf as S.747 [?] 10 J18 Missa Choral, sacredis ch org 1859–65 Choral, sacred 11
An example which illustrates the problem might be Liszt's "La Notte", the second piece of the Trois Odes funèbres. Projected 1863 and achieved 1864, "La Notte" is an extended version of the prior piano piece Il penseroso from the second part of the Années de pèlerinage. According to Liszt's remark at the end of the autograph score, "La Notte ...
Liszt's works in this category make up a small but important collection of 13 individual works, including the two versions of La lugubre gondola. Some pieces from book III of Annees de Pelerinage could fit here, as could Via Crucis and the Historical Hungarian Portraits. Liszt was deeply affected by the deaths of friends and loved ones ...
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
Two Concert Études (Zwei Konzertetüden), S.145, is a set of two piano works composed in Rome around 1862/63 by Franz Liszt and dedicated to Dionys Pruckner, but intended for Sigmund Lebert and Ludwig Stark’s Klavierschule. [1] [n 1] [2] It consists of two parts: "Waldesrauschen" (Forest Murmurs) and "Gnomenreigen" (Dance of the Gnomes).
Grand galop chromatique in E-flat major, S.219 is a bravura piece by Franz Liszt, composed in 1838. This galop was one of Liszt's favorite encores which he considered a "rouser". [ 1 ] The galop chromatique was published as a piano solo and also in a version for piano duet ( S.616 ).