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Arabesque position with working leg à la hauteur, forming a 90° angle with supporting leg Arabesque penchée. Arabesque (French:; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the supporting leg–with the other leg–the working leg–turned out and extended behind the body, with both legs held straight.
In dance (particularly ballet), arabesque (French: [aʁabɛsk]; literally, "in Arabic fashion") is a body position in which a dancer stands on one leg (the supporting leg) with the other leg (the working leg) extended, straight, behind the body.
distinctive arabesque line with the hip open to the audience and the side arm pressed back; athletic dance quality. fluidity and lightness, best demonstrated by ballerinas with long, thin figures *Suki Schorer has described the Balanchine arabesque as "longer, stronger and bigger". Balanchine would instruct students to "reach for diamonds" in ...
This category is for ballet terms. It should not be depopulated. ... Arabesque (ballet position) B. Ballet d'action; Ballet technique; Ballon (ballet) Barre (ballet)
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Arabesque is a French term derived from the Italian word arabesco, meaning "in the Arabic style". [20] The term was first used in Italian, where rabeschi was used in the 16th century as a term for " pilaster ornaments featuring acanthus decoration", [ 21 ] specifically "running scrolls" that ran vertically up a panel or pilaster, rather than ...
Chaînés (French, meaning "chain") is a type of two-step turn that is executed repeatedly while the performer travels along a line or curved (often circular or elliptical) path. [2] It is performed quickly on alternating feet and results in a complete rotation for every two steps taken. It is commonly used in ballet, modern, and ballroom dancing.
The Afternoon of a Faun (French: L'Après-midi d'un faune) is a ballet choreographed by Vaslav Nijinsky for the Ballets Russes, and was first performed in the Théâtre du Châtelet in Paris on 29 May 1912. Nijinsky danced the main part himself. The ballet is set to Claude Debussy's symphonic poem Prélude à l'après-midi d'un faune.