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The Last Days of Patton is a 1986 American made-for-television biographical drama film and sequel to the 1970 film Patton, portraying the last few months of the general's life. George C. Scott reprises the role of General George S. Patton , and Eva Marie Saint portrays Beatrice Patton, the general's wife.
Critical reception for Last Days has been positive, [4] [5] and the work has received praise from HorrorNews.net and The Guardian. [6] [7] Tor.com and Bloody Disgusting both gave favorable reviews, [8] and Tor.com wrote that "At its most powerful, Last Days is unputdownable: a non-stop docu-horror novel — ditto, a novel docu-horror — with a portentous premise, a pair of deftly-drawn ...
Patton is a 1970 American epic biographical war film about U.S. General George S. Patton during World War II.It stars George C. Scott as Patton and Karl Malden as General Omar Bradley, and was directed by Franklin J. Schaffner from a script by Francis Ford Coppola and Edmund H. North, who based their screenplay on Patton: Ordeal and Triumph by Ladislas Farago and Bradley's memoir, A Soldier's ...
Book Cover: Palestine on the Eve. Published 1936. The British historian Stephen Dorril, in his MI6 Inside the Covert World of Her Majesty's Secret Intelligence Service asserts that Faragó was the 'most successful disinformer or dupe' concerning the presence of Nazis in South America. The original text is as follows:
Killing Patton: The Strange Death of World War II's Most Audacious General is a book written by Bill O'Reilly and Martin Dugard about the final year of World War II and the death of General George Patton, specifically whether it was an accident or an assassination.
'The Last of Us' Episode 4 brings Joel (Pedro Pascal) and Ellie (Bella Ramsey) to Kansas City. The episode introduces a new character played by Melanie Lynskey.
On the whole, "The Last Days of Patton" is a good movie for those interested in World War II and the famous general, but it is a "snoozer" for most everyone else. —Preceding unsigned comment added by 24.56.113.130 ( talk ) 20:32, 12 October 2009 (UTC) [ reply ]
Others have dismissed the book on grounds that Booker is too rigid in fitting works of art to the plot types above. For example, novelist and literary critic Adam Mars-Jones wrote, "[Booker] sets up criteria for art, and ends up condemning Rigoletto, The Cherry Orchard, Wagner, Proust, Joyce, Kafka and Lawrence—the list goes on—while ...