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The Midnight Robber desires to become the King of the Robbers by out-talking or outwitting all of his rivals. [40] His aspirations come from a history of wrongdoing in his family, which is meant to mimic the emancipation and history that influenced the celebrations of the Trinidad and Tobago carnival. [40] The Midnight Robber does not have one ...
The Midnight Robber is young Tan-Tan’s favorite Carnival character, and she practices Robber Queen speeches and antics for hours at a time. Toussaint is a planet peopled by the descendants of Caribbean immigrants from Earth.
The character is a paradoy of the Pierrot character, which was a character from the Carnival balls held by the French planter class in late 18th century Trinidad. [66] The Pierrot character was a well-dressed scholar who boasted about his knowledge. [66] The Pierrot Grenade's costume is made of scraps of cloth pieced together. [66] [65]
"Douen" is used to describe a sentient species on another planet in Nalo Hopkinson's novel Midnight Robber (Warner Aspect, 2000). The human characters explain that, on foreign planets, douen is used as a threat to frighten children: that these creatures are dead children arisen from the grave.
The daytime of Carnival Monday and Tuesday are dominated by costumed masqueraders. Until World War II, most of these masqueraders portrayed traditional African influenced characters including the Midnight Robber, Police and Thief, Wild-American Indian, Bat', and Jab Mola individuals gave way to organized bands, which today can include thousands of masqueraders.
Each year, one ruler is anointed as "The King of Carnival." The king is selected by the Krewe of Rex, founded in 1872 to honor Grand Duke Alexis Romanov Alexandrovich's arrival to New Orleans.
It also has origins in the oral tradition elements of the performances of traditional masquerade characters in Trinidad Carnival. Traditional masquerade characters , such as the Midnight Robber, Pierrot Grenade, and the Wild Indians, each have particular forms of poetic and musical speeches that echoed ancient African masking and poetic traditions.
Rapso is the poetic 'rap' form of Trinbagonian music, but has its origins in the oral elements of the performances of traditional masquerade characters in Trinidad Carnival. Traditional masquerade characters, such as the Midnight Robber, Pierrot Grenade, and the Wild Indians, each have particular forms of poetic and musical speeches that echo ...