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The character of Sukeroku in Sukeroku Yukari no Edo Zakura wears mukimi kuma kumadori, and is the epitome of a handsome kabuki hero attempting to win the love of a high-ranking courtesan. Zare-Guma ( ざれ隈 , "playful" kumadori ) - the style of kumadori used for comic villains; though the kumadori is red, the lines used make the character ...
These are, however, ateji characters which do not reflect actual etymology. The kanji of 'skill' generally refers to a performer in kabuki theatre. Since the word kabuki is believed to derive from the verb kabuku, meaning 'to lean' or 'to be out of the ordinary', the word kabuki can also be interpreted as 'avant-garde' or 'bizarre' theatre. [2]
Hyottoko seems to have been a legendary character in Japan in the past, and is now a stock character. In Iwate Prefecture , there is a myth about the origin of Hyottoko. In the story, there was a boy with a bizarre face who could create gold out of his belly button, so when someone died in a house, you would put the mask of this boy at the top ...
Japanese Nanatsumen (七つ面) is a play in the Kabuki repertoire, and one of the celebrated Kabuki Jūhachiban ("Eighteen Great Plays"). The play is known in English as The Seven Masks .
Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh , a spiritual drama, and its comic accompaniment kyōgen ; kabuki , a dance and music theatrical tradition; bunraku , puppetry; and yose , a spoken drama.
In Kabuki, all the roles are played by men, including beautiful princesses — a role Maholo accomplishes stunningly in his official stage debut as Maholo Onoe at the Kabuki Theater in downtown Tokyo.
The mie (見え or 見得, Japanese pronunciation:), a powerful and emotional pose struck [1] by an actor, who then freezes for a moment, is a distinctive element of aragoto Kabuki performance. Mie means 'appearance' or 'visible' in Japanese , and one of the primary purposes of this convention is to draw attention to a particularly important or ...
Jidaimono (時代物) are Japanese kabuki or jōruri plays that feature historical plots and characters, often famous samurai battles. These are in contrast to sewamono (世話物), contemporary plays, which generally focus on commoners and domestic issues.