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The conservation-restoration of panel paintings involves preventive and treatment measures taken by paintings conservators to slow deterioration, preserve, and repair damage. Panel paintings consist of a wood support, a ground (linen or parchment sized with glues, resin, and gesso), and an image layer (encaustic, tempera, oil). [1]
Mummy portrait of a girl, AD 120–150, Roman Egypt, wax encaustic painting on sycamore wood. Encaustic is a method of painting that involves dry pigments mixed with hot beeswax, then applied to the surface of a support such as wood or canvas. A completed painting is then finished by taking a source of heat to reheat the surface and fuse it ...
In woodworking and the decorative arts, refinishing (also repolishing in the UK)refers to the act of repairing or reapplying the wood finishing on an object. [1] paint, wood finish top coat, [citation needed] wax, lacquer or varnish are commonly used. [2] The artisan or restorer is traditionally aiming for an improved or restored and renewed ...
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This procedure can often be found on Old Master paintings of the 16th and 17th centuries, when painting on wood and particularly oak panel was widely practiced. There are numerous reasons for choosing to cradle a panel. This can be done to piece back together a painting which has split and cracked over time.
Wood finishing starts with sanding either by hand, typically using a sanding block or power sander, scraping, or planing. Imperfections or nail holes on the surface may be filled using wood putty or pores may be filled using wood filler. Often, the wood's color is changed by staining, bleaching, or any of a number of other techniques.