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Le Déjeuner sur l'herbe (French: [lə deʒœne syʁ lɛʁb,-ʒøn-]; The Luncheon on the Grass) – originally titled Le Bain (The Bath) – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting.
He was inspired by Pieter de Hooch and Vermeer, and painted both on wood panel and, as in the case of Le bain, on canvas. Stevens made his name in Paris as a painter of beautifully dressed ladies. [1] Unlike Franz Xaver Winterhalter, the official portraitist of the French imperial family, Stevens chose his models among the wealthy upper class ...
The Turkish Bath (Le Bain turc) is an oil painting by Jean-Auguste-Dominique Ingres, initially completed between 1852 and 1859, but modified in 1862. [1] The painting depicts a group of nude women at a pool in a harem. [1] It has an erotic style that evokes both the Near East and earlier western styles associated with mythological subject matter.
Le Temps des cerises The song was later strongly associated with the Paris Commune , during which verses were added to the song, thus becoming a revolutionary song . The "Time of Cherries" is a metaphor regarding what life will be like when a revolution will have changed social and economic conditions.
Rennes-les-Bains (French pronunciation: [ʁɛn le bɛ̃] ⓘ; Occitan: Los Banhs de Rènnas) is a commune in the Aude department in southern France.. Bathers have enjoyed the natural hot spring waters for thousands of years - they are still used today as a cure for rheumatism and certain skin problems.
These identifications are disputed by Malcolm Bull, at least as the original intention. He traces the iconography of the painting to the Late Greek poet Nonnus, reflected in the Hymne de l'Automme of Pierre de Ronsard. Nonnus' descriptions of the four seasons, as translated into French, are closely followed by Poussin: "on the left is Spring ...
It is written in the fixed-form ballade format, and forms part of his collection Le Testament in which it is followed by the Ballade des seigneurs du temps jadis. The section is simply labelled Ballade by Villon; the title des dames du temps jadis was added by Clément Marot in his 1533 edition of Villon's poems.
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