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"Gimme! Gimme! Gimme! (A Man After Midnight)" was written and composed by Benny Andersson and Björn Ulvaeus, with the lead vocal sung by Agnetha Fältskog.Fältskog, as the narrator, weaves the image of a lonely woman who longs for a romantic relationship and views her loneliness as a forbidding darkness of night, even drawing parallels to how the happy endings of movie stars are so different ...
Cale recorded the song and then released it in 1966 as a single with its flipside track "Slow Motion". [3] [4] When Eric Clapton was working with Delaney & Bonnie Bramlett, Delaney Bramlett introduced Clapton to the music of J.J. Cale. [5] [6] "After Midnight" was the first of several Cale cover songs released by Clapton and appeared on his self-titled debut album.
The album was re-released in 2004, five years after its initial release to commemorate the musical's 5th anniversary.The new edition contained the original 24 tracks as well as three bonus tracks: the encore versions of "Dancing Queen", "Mamma Mia", and "Waterloo".
Roan wrote "After Midnight" with Casey Smith and the song's producer, Dan Nigro. It is a pop, disco, neo-disco, dance, and funk track with lyrics about nightlife and Roan's experience with bisexuality. Some music critics praised "After Midnight" as catchy and for its sexually provocative lyrics, while others considered it unremarkable.
YIFY Torrents or YTS was a peer-to-peer release group known for distributing large numbers of movies as free downloads through BitTorrent.YIFY releases were characterised through their small file size, which attracted many downloaders.
"Soon After Midnight" is a love song/murder ballad hybrid. At less than three-and-a-half minutes, it is the shortest of the 10 songs on Tempest and the only example of the pre-rock pop ballad genre to be found on the album. The title is a reference to "fairy time" in William Shakespeare's play A Midsummer Night's Dream. [1]
“I’m looking for a man in finance, trust fund, 6’5”, blue eyes. Finance, trust fund, 6’5” blue eyes,” Boni sings to the camera in a sing-songy way that calls to mind the 2010 hit ...
The song won the contest bringing the country its coveted third victory and Offer Nissim further recognition. However, soon after the victory, Nissim and Dana International went their separate ways as a result of artistic differences. Already an established DJ on the local gay scene, Nissim stoped producing and became a full-time DJ. [1]