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El degüello (Spanish: El toque a degüello) is a bugle call, notable in the United States for its use as a march by Mexican Army buglers during the 1836 Siege and Battle of the Alamo [1] to signal that the defenders of the garrison would receive no quarter by the attacking Mexican Army under General Antonio López de Santa Anna.
Degüello (/ d ɛ ˈ ɡ w eɪ oʊ / de-GWAY-oh) [4] is the sixth studio album by the American rock band ZZ Top, released in November 1979.It was the first ZZ Top release on Warner Bros. Records and eventually went platinum.
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
Sheet Music This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise.
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
The song captures many of the sounds and beats for which ZZ Top is famous. In a Guitar World article, lead guitarist Billy Gibbons said that he used a Marshall Major amplifier and a Maestro ring modulator on this song, and that the amplifier had a blown tube during recording which added to the tonal character of the song. [ 3 ]
English: The Public Domain Song Anthology by David Berger and Chuck Israels is a collection of 348 popular songs with modern and traditional harmonization for both study and performance. This open educational resource was curated by two leading jazz repertory experts and consists of songs in the US public domain.
Sibelius sold his music to several publishers over the course of his career. As a relatively unknown composer in the 1890s and early 1900s, he worked with domestic firms in Helsinki, including the eponymous operations of Axel E. Lindgren and Karl F. Wasenius [], as well as Helsingfors Nya Musikhandel [], a joint venture of Konrad G. Fazer [] and Robert E. Westerlund [] until the latter ...