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In 2000, Led Zeppelin IV was named the 26th-greatest British album in a list by Q magazine. [86] In 2002, Spin magazine's Chuck Klosterman named it the second-greatest metal album of all time and said that it was "the most famous hard-rock album ever recorded" as well as an album that unintentionally created metal—"the origin of everything ...
Clockwise, from top left: Jimmy Page, John Bonham, Robert Plant, John Paul Jones Led Zeppelin were an English rock band who recorded 94 songs between 1968 and 1980. The band pioneered the concept of album-oriented rock and often refused to release popular songs as singles, [1] instead viewing their albums as indivisible, complete listening experiences, and disliked record labels re-editing ...
Led Zeppelin III (1970) was a softer, more folk-based effort compared to the hard rock of the band's previous releases. [8] It also peaked at number one in the UK and in the US. Led Zeppelin's untitled fourth album, often called Led Zeppelin IV and released on 8 November 1971
Led Zeppelin’s only double album, Physical Graffiti, featuring hits like “Kashmir” and “Trampled Underfoot,” was released 50 years ago on February 24, 1975. So, where does it rank ...
"Misty Mountain Hop" is a song by English rock band Led Zeppelin that was released in 1971 by Atlantic Records. [2] The song appears on the band's untitled fourth album, and was released as the B-side to the single "Black Dog" and performed in most of the band's 1972 and 1973 concert tours.
In their first year, Led Zeppelin completed four US and four UK concert tours, and also released their second album, Led Zeppelin II. Recorded mostly on the road at various North American studios, it was an even greater commercial success than their first album and reached the number one chart position in the US and the UK. [ 32 ]
"Four Sticks" is a song by the English rock band Led Zeppelin from their untitled fourth album. The title reflects drummer John Bonham's performance with two sets of two drumsticks, totaling four. [3] The song was difficult to record, and required more takes than usual. [3] John Paul Jones played a VCS3 synthesizer on the track. [3]
In 1972, American music critic and journalist Robert Christgau called it "simply the most dynamic hard-rock song in the music." [11] Cash Box described it as a "rip-apart performance of one of best r&r revivalist tunes ever." [12] In 2019, Rolling Stone ranked the song number 9 on its list of the 40 greatest Led Zeppelin songs. [13]