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The style and content of each show were unique but the object of most was to create a tapestry of multimedia live event visual amplification elements that were seamlessly interwoven, in a constant state of flux and above all, reflected the music the show was attempting to depict in emotional visual terms.
A Roman hanging lamp or chandelier. Hanging lighting devices, some described as chandeliers, were known since ancient times, and circular ceramic lamps with multiple points for wicks or candles were used in the Roman period. [11] [12] The Roman terms lychnuchus or lychnus, however, can refer to candlestick, floor lamps, candelabra, or ...
By 1880 he had opened a small workshop in North End Road, Fulham making furniture for Morris & Co. [3] [5] A year later the company employed John Lovegrove, a skilled brass and copper-worker, and Benson moved into the design of metal work including fire screens and fenders, tableware, kettles, urns and light fittings. [3]
Fluxus Manifesto, 1963, by George Maciunas Poster to Festum Fluxorum Fluxus 1963.. Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product.
Atomic Age furniture design strived for modernity with bright colors, round, organic designs, and a common use of plastics and metals. The spherical and rounded motifs in tables, chairs, lamps, doors, and countless others were derived from the atom, continuing to establish its place as an icon for the technological advancements of the time.
The failure of the lamps to gain popularity may be due to the manufacturer, Copenhagen Lighting Service, removing some components of the lamp because they caused the light to glare. [13] This was an issue that Poul Henningsen would later solve and the glare-free design feature would become a signature characteristic of his work. The Paris Lamp