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Luminism is a style of American landscape painting of the 1850s to 1870s, characterized by effects of light in a landscape, through the use of aerial perspective and the concealing of visible brushstrokes. Luminist landscapes emphasize tranquility, often depicting calm, reflective water and a soft, hazy sky.
Fitz Henry Lane (born Nathaniel Rogers Lane; also formerly, mistakenly, known as Fitz Hugh Lane; [1] December 19, 1804 – August 14, 1865) was an American painter and printmaker of a style that would later be called Luminism, for its use of pervasive light.
Luminism (American art style) William Stanley Haseltine (June 11, 1835 – February 3, 1900) was an American painter and draftsman who was associated with the Düsseldorf school of painting , the Hudson River School and Luminism .
John Frederick Kensett (March 22, 1816 – December 14, 1872) was an American landscape painter and engraver born in Cheshire, Connecticut.He was a member of the second generation of the Hudson River School of artists.
The Artist Sketching at Mount Desert, Maine (1864-1865), National Gallery of Art [66] An October Afternoon (1865), upright composition, unlocated related: An October Afternoon (1871), Museum of Fine Arts, Boston [67] Sandy Hook (1865), Whitney Museum of American Art [68] [69] Manchester Beach, Massachusetts (1865), Thyssen-Bornemisza Collection ...
Albert Bierstadt (January 7, 1830 – February 18, 1902) was a German American painter best known for his lavish, sweeping landscapes of the American West.He joined several journeys of the Westward Expansion to paint the scenes.
Neo-Expressionist artist Jean-Michel Basquiat (1960-1988) began his career on the streets in the late 1970s, quickly attracting attention for the graffiti art he and Al Diaz made under the tag SAMO.
Robert Salmon (1775 – c. 1845) was a maritime artist, active in both England and America. Salmon completed nearly 1,000 paintings, all save one of maritime scenes or seascapes. He is widely considered the Father of American Luminism. [2]