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In its Jamaican homeland, Rastafari is a minority culture and receives little in the way of official recognition. Jamaica is an overwhelmingly Christian country, so Rasta beliefs and practices – such as the divinity of H.I.M Hailie Selassie – are sometimes regarded as pagan by Christian Jamaicans. [ 14 ] (
Kumina is an Afro-Jamaican religion, dance and music form. Kumina has practices that include secular ceremonies, dance and music that developed from the beliefs and traditions brought to the island by Kongo enslaved people and indentured labourers, from the Congo region of West Central Africa, during the post-emancipation era. [1]
The ritualistic aspects of Kromanti dance involves a "distinctive music and dance styles" which is "centered around possession by ancestral spirits." [7] [1] [2]Some of the surviving elements derived from African tradition are Country, a music style that uses a drum language like the Dondo, in order to play songs and proverbs; and healing, which is achieved through a rhythmic dance, music, and ...
The traditional Jamaican Maroon religion otherwise known as Kumfu was developed by a mixing of West and Central African religious practices in Maroon communities. While the traditional religion of the Maroons was absorbed by Christianity due to conversions in Maroon communities, many old practices continued on.
The traditional Jamaican Maroon religion, otherwise known as Kumfu, [1] was developed by a mixing of West and Central African religious practices in Maroon communities. While the traditional religion of the Maroons was absorbed by Christianity due to conversions in Maroon communities, many old practices continued on.
Obeah incorporates both spell-casting and healing practices, largely of African origin, [2] although with European and South Asian influences as well. [3] It is found primarily in the former British colonies of the Caribbean, [2] namely Suriname, Jamaica, the Virgin Islands, Trinidad, Tobago, Guyana, Belize, the Bahamas, St Vincent and the Grenadines, and Barbados. [4]
The practice of Myal as a spirit possession originated in Jamaica. It derived from the Kongo religion. It was once theorized to be of Akan origin, because of its popularity with enslaved Akans. However, Myal was also popular with enslaved Bakongo. The centrality of spirit possession is a core component of both Myal and Kongo religion.
Similarly, the term traditions in this context does not connote any strictly-defined criteria. Music scholars, journalists, audiences, record industry individuals, politicians, nationalists and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious ...