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Piece of My Soul: Quilts by Black Arkansans (2000) [5] 20th Century Quilts 1900-1970: Women Make Their Mark (1997) [6] A Patchwork of Pieces: An Anthology of Early Quilt Stories, 1845–1940 (1993) [7] "Afro-American Women and Quilts: An Introductory Essay", a landmark article published in Uncoverings, 1980, ed. Sally Garoutte.
In 1972, while residing in India after spells in Borneo, Nepal and South America, [2] she sought a new project after she had run out of yarn. [1] Beyer was given a Grandmother's Flower Garden quilt pattern, [2] and cut her first quilt into 600 hexagons of Indian fabrics in the colors dark blue and deep red.
Melcher herself did not originate the use of the sunbonnet babies as quilting pattern. The Sunbonnet Babies quilting pattern appeared in textile art 1910's in the Ladies Home Journal 1911–1912 in a quilt stitched by Marie Webster. The pattern was popular during the Great Depression. In the American South, it was often known as "Dutch Doll ...
A 1979 quilt by Lucy Mingo of Gee's Bend, Alabama. It includes a nine-patch center block surrounded by pieced strips. The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.
Echo quilting, where a quilted outline of the appliqué pattern is repeated like ripples out to the edge of the quilt, is the most common quilting pattern employed on Hawaiian-style quilts. Beautiful examples are held in the collection of the Bernice Pauahi Bishop Museum , Honolulu, Hawaii.
Abstract patterns by men are "art"; abstract patterns by women in fabric are "decorative"; they're called quilts. So there's all these kind of double standards and all these kind of words that prevent women's experience from entering—even when they express it—from entering the mainstream of art.