Ads
related to: polish movies na 35mm digital camera reviews
Search results
Results From The WOW.Com Content Network
Polish animated films - like those by Jan Lenica and Zbigniew Rybczyński (Oscar, 1983) - drew on a long tradition and continued to derive their inspiration from Poland's graphic arts. Other notable Polish film directors include: Tomasz Bagiński, Małgorzata Szumowska, Jan Jakub Kolski, Jerzy Kawalerowicz, Stanisław Bareja and Janusz Zaorski.
This page was last edited on 5 February 2025, at 23:51 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The characters were played by many non-actors or theater actors who had not acted in films before, and some scenes were improvised. Because of the low budget, the film was shot on black-and-white film stock with a single camera. The only lens we had for close-ups malfunctioned, so zooming was done by having the characters move closer to the camera.
Eroica (released in some territories as Heroism) is a 1958 Polish film by Andrzej Munk, and his second feature film after Man on the Tracks (1956). Eroica is composed of two separate stories, presenting satirical critiques of two aspects of the Polish character: acquisitive opportunism, and a romantic fascination for heroic martyrs.
The Big Animal (Polish: Duże zwierzę) is a 2000 Polish film directed by Jerzy Stuhr from a screenplay by Krzysztof Kieślowski, based on a short story Wielbłąd (1995) by Kazimierz Orłoś. [1] [2] [3]
No End (Polish: Bez końca) is a 1985 film directed by Krzysztof Kieślowski and starring Grażyna Szapołowska, Maria Pakulnis, and Aleksander Bardini. The film is about the state of martial law in Poland after the banning of the trade union Solidarity in 1981. [1] Kieślowski worked with several regular collaborators for the first time on No End.