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Ba Be Bi Bj Bl Bo Br Bu By B Ba Vahram Babayan (born 1948) Sonata for viola and piano, Op. 88 (1985) Sonata for viola solo, Op. 127 (2000) Milton Babbitt (1916–2011) Composition for viola and piano (1950); Associated Music Publishers Inc. Mehr “Du” for soprano, viola and piano (1991); C. F. Peters Play It Again, Sam for viola solo (1989); C. F. Peters Soli e Duettini for violin and viola ...
Concerto for viola and orchestra (1929); Sprague-Coleman; Peer Music David of the White Rock for viola solo; Sprague-Coleman Rhapsody on Folk Songs Harmonized by Béla Bartók for viola and orchestra (1946); Peer Music Sonata in Modus Lascivus for viola solo (1948); Southern Music Publishing. Mordecai Seter (1916–1994) [1]
Sequenza VI for solo viola (1967) Hector Berlioz (1803–1869) Harold en Italie, symphony for orchestra with viola obbligato, Op. 16, H. 68 (1834) Ernest Bloch (1880–1959) Suite Hébraïque for viola and piano or orchestra (1951) Johannes Brahms (1833–1897) Sonata No. 1 in F minor for viola and piano, Op. 120 No. 1 (1894)
Elegy is a composition by Igor Stravinsky for solo viola composed in 1944. It was dedicated to the memory of Alphonse Onnou, the founder of the Pro Arte Quartet. The score bears no time signature, but the metronome marking sets the tempo at = 56. The opening section is in the style of a chant above a rippling accompaniment.
Free scores by Alessandro Rolla at the International Music Score Library Project (IMSLP) Rolla String Trio No.1-Sound-bites & Biography at Edition Silver Trust; Gems Music Publications, a source for several Rolla scores, including the complete viola duets, viola solo works, some violin-viola duets, and viola concerti.
P Luis de Pablo (1930–2021) Anatomías for viola solo, 2 clarinets, horn, trombone and harp (2005–2007); Edizioni Suvini Zerboni Ex voto for violin and viola (1995); Edizioni Suvini Zerboni Monólogo for viola solo (1990–1992); Edizioni Suvini Zerboni Giorgio Pacchioni (b. 1947) Baroquefantasy No. 2 for viola and piano (1996); Ut Orpheus Edizioni Niccolò Paganini (1782–1840) Caprice ...
To Be or Not to Be (1942); music also by Werner R. Heymann; Five Graves to Cairo (1943) Sahara (1943) So Proudly We Hail! (1943); music also by Edward Heyman; The Woman of the Town (1943) Dark Waters (1944) Double Indemnity (1944) The Hour Before the Dawn (1944) Blood on the Sun (1945) Lady on a Train (1945) The Lost Weekend (1945) The Man in ...
A viola concerto is a concerto contrasting a viola with another body of musical instruments such as an orchestra or chamber music ensemble. Throughout music history, especially during the Baroque, Classical, and Romantic eras, viola was viewed mostly as an ensemble instrument. Though there were a few notable concertos written for the instrument ...