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Once you’ve gone fully gray, you can try a keratin treatment if you’re concerned with frizz. “It’s a great way to infuse gray hair with the lost keratin that comes with age,” says ...
As Gregory explains, “instead of lightening up sections of hair as you do with highlights, with lowlights, you add darker pieces to deliver more depth and dimension throughout.”. “With ...
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The transition from black to a hue to white is symmetric and is controlled solely by increasing lightness; Decreasing saturation transitions to a shade of gray dependent on the lightness, thus keeping the overall intensity relatively constant; The properties mentioned above have led to the wide use of HSL, in particular, in the CSS3 color model ...
Tint, shade and tone. In color theory, a tint is a mixture of a color with white, which increases lightness, while a shade is a mixture with black, which increases darkness. Both processes affect the resulting color mixture's relative saturation. A tone is produced either by mixing a color with gray, or by both tinting and shading. [1]
The Flory–Fox equation relates the number-average molecular weight, M n, to the glass transition temperature, T g, as shown below: =, where T g,∞ is the maximum glass transition temperature that can be achieved at a theoretical infinite molecular weight and K is an empirical parameter that is related to the free volume present in the polymer sample.