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Cinema of Ghana also known as the Ghana Film Industry nicknamed Ghallywood, [1] began when early film making was first introduced to the British colony of Gold Coast (now Ghana) in 1923. At the time only affluent people could see the films, especially the colonial master of Gold Coast. [2][3][4] In the 1950s, film making in Ghana began to ...
Ghanaian cinema boasts a vibrant history, rooted in both local storytelling traditions and the influence of colonial powers. The origins of cinema in Ghana date back to the early 20th century when the British introduced film as a medium for propaganda and educational purposes. A key milestone was the establishment of the Gold Coast Film Unit in ...
This category has the following 10 subcategories, out of 10 total. Films by Ghanaian directors (3 C) Ghanaian film series (1 P) Ghanaian films by genre (8 C)
W. The Witches of Gambaga. With My Own Two Wheels. Categories: Films by country of setting. Films set in Africa by country. Ghana in fiction. Cinema of Ghana. Works set in Ghana.
A. Augustine Abbey (Idikoko) [1] Ama K. Abebrese [2] (born 1980) Mavis Adjei, starred in over 25 films, currently based in the Netherlands [3] Psalm Adjeteyfio ( (1948–2022) Adjetey Anang (born 1973) (Pusher) Kofi Adjorlolo (born 1956) Kofi Adu [4] (Agya Koo) (born 1968) Freema Agyeman (born 1979), British actor of Ghanaian and Iranian descent.
Azali (film) Azali. (film) Azali is a 2018 Ghanaian drama film directed by Kwabena Gyansah. It was selected as the Ghanaian entry for the Best International Feature Film at the 92nd Academy Awards, but it was not nominated. [1] It was the first time that Ghana had submitted a film for the Best International Feature Film Oscar.
Kwaw Ansah. Kwaw Paintsil Ansah (born 1941) is a Ghanaian film-maker, whose work as writer, director or producer includes Love Brewed in the African Pot in 1980 and Heritage Africa in 1989. [1][2][3][4][5] His first feature, Love Brewed in the African Pot, earned immediate popular and critical acclaim throughout English-speaking Africa.
Akosua Adoma Owusu (born January 1, 1984) is a Ghanaian-American filmmaker and producer. Her films explore the colliding identities of black immigrants in America through multiple forms ranging from cinematic essays to experimental narratives to reconstructed Black popular media.