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The Lover (Spanish: El enamorado, alternately known as Vuelve Martin Corona) [1] [2] is a 1952 Mexican comedy western film directed by Miguel Zacarías and starring Pedro Infante, [3] Sara Montiel [4] [5] and Eulalio González. [6] It is a sequel to Here Comes Martin Corona. [6]
Pedro Infante in 1949. Pedro Infante was born 18 November 1917 in Mazatlán, Sinaloa, [1] [2] the son of Delfino Infante García (24 December 1880 – 17 March 1955), who played the double bass in a band, and Maria del Refugio Cruz Aranda.
Se llamaba Pedro Infante is a Mexican biographical streaming television series produced by Rubén Galindo for TelevisaUnivision. [1] The series is based on the life of Mexican actor and singer Pedro Infante. Mario Morán stars as Infante. [2] The series is premiered on Vix on 1 December 2023. [3]
The Black Sheep (Spanish: La oveja Negra) is a 1949 Mexican drama film directed by Ismael Rodríguez and starring Fernando Soler, Pedro Infante and Andrés Soler. [1] [2] It was shot at the Tepeyac Studios in Mexico City. The film's sets were designed by the art director Carlos Toussaint. It was followed by a sequel No desearás la mujer de tu ...
Marked Cards (Spanish: Cartas marcadas) is a 1948 Mexican romantic comedy film directed by René Cardona and starring Pedro Infante, Marga López and Cardona. [1] [2] The plot is loosely inspired by William Shakespeare's The Taming of the Shrew. [3] It was shot at the Azteca Studios in Mexico City. The film's sets were designed by the art ...
Tizoc is a 1957 Mexican drama film directed by Ismael Rodríguez.It was entered into the 7th Berlin International Film Festival, where Pedro Infante won the Silver Bear for Best Actor. [1]
Pedro_Infante_in_Habana,_Cuba,_c.1950s.jpg (310 × 400 pixels, file size: 19 KB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Pablo and Carolina (Spanish:Pablo y Carolina) is a 1957 Mexican romantic comedy film directed by Mauricio de la Serna and starring Pedro Infante, Irasema Dilián, Alejandro Ciangherotti, and premiered after Infante's death. [1] [2] The film's sets were designed by the art director Manuel Fontanals. It was shot in Eastmancolor.