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A Distant Hail-Storm Coming On is a 1799 landscape painting by the French-born British artist Philip James de Loutherbourg. [1] [2] It is also known by the longer title A Distant Hail-Storm Coming On, and the March of Soldiers with their Baggage. Loutherbourg was an Alstatian painter who had settled in England.
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
Albany Institute of History and Art, New York West Rock, New Haven: 1849: Oil on canvas: 27 + 1 ⁄ 8 in × 40 + 1 ⁄ 8 in (690 mm × 1,020 mm) New Britain Museum of American Art, Connecticut [4] Mountain Landscape: 1849: Oil on canvas: 34.6 × 48.5 cm: Brauer Museum of Art, Valparaiso, Indiana Above the Clouds at Sunrise: 1849: Oil on canvas ...
The first impression that the painting creates is of an enormous deep-red sunset over a stormy sea, an indication of an approaching typhoon. [11] This ominous typhoon is further indicated by an approaching dramatized storm cloud, creeping into the visible space from the left, with its rich colors sprawling towards an unstained sky. [12]
The aerial cloudscapes painted by Georgia O'Keeffe in the 1960s and 1970s are a special case. Many of them are not landscapes at all, since they don't show any land. They depict images of clouds viewed from above, suspended in blue sky, with the land below nowhere to be seen; it is the view of clouds regarded at a downward and sideways angle, as from the window of an airplane.
A cloudscape painting by Jacob Isaakszoon van Ruisdael. In art, a cloudscape is the depiction of a view of clouds or the sky.Usually, as in the examples seen here, the clouds are depicted as viewed from the earth, often including just enough of a landscape to suggest scale, orientation, weather conditions, and distance (through the application of the technique of aerial perspective).
Approaching Thunder Storm is an 1859 painting by American painter Martin Johnson Heade. It was his largest painting to date. [1] The painting is in the collection of the Metropolitan Museum of Art. [2] It is praised for its dramatic depiction of the threatening mood of blackening skies and eerily illuminated terrain prior to the storm itself. [2]
The Boston Fine Art Museum gives this description: The Fog Warning is a painting with a narrative, though its tale is disturbing rather than charming. As indicated by the halibut in his dory, the fisherman in this picture has been successful. But the hardest task of the day, the return to the main ship, is still ahead of him.