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Fêtes Vénitiennes is a 1719 painting by Antoine Watteau, now in the Scottish National Gallery in Edinburgh, to which it was bequeathed in 1861 by Lady Murray of Henderland, widow of John Murray, Lord Murray.
Watteau submitted this work to the Royal Academy of Painting and Sculpture as his reception piece in 1717. [2] The painting is now in the Louvre, Paris. A second version of the work, sometimes called Pilgrimage to Cythera to distinguish it, was painted by Watteau about 1718 or 1719 [3] and is in the Charlottenburg Palace, Berlin. These ...
Jean-Antoine Watteau (UK: / ˈ w ɒ t oʊ /, US: / w ɒ ˈ t oʊ /, [2] [3] French: [ʒɑ̃ ɑ̃twan vato]; baptised 10 October 1684 – died 18 July 1721) [4] was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens.
Pierrot, also retrospectively known as Gilles, is an oil on canvas painting of c. 1718-1719 by the French Rococo artist Jean-Antoine Watteau (1684–1721). Completed in the later phase of Watteau's career, Pierrot measures 184.5 by 149.5 cm, which makes up somewhat unusual case in the artist's body of work.
The Perfect Accord (L'Accord parfait), also adapted into English as Perfect Harmony, is an oil-on-panel painting by Antoine Watteau, created c. 1719, [1] now held in the Los Angeles County Museum of Art. It was the pendant to the same artist's The Surprise.
Mezzetino (transl. Mezzetin; French: Mézetin) is an oil-on-canvas painting in the Metropolitan Museum of Art, New York, by the French Rococo painter Jean-Antoine Watteau. Dated within 1717–1720, Mezzetino forms a full-length single-figure composition, depicting the eponymous character in commedia dell'arte .
The recorded provenance of The Chord begins in the mid-18th century, when it was in possession of the fermier géneral Marin Delahaye (1684-1753); at the sale after his death, held in Paris on January 1, 1754, the painting was lot 47, described as "un tableau peint sur bois, représentant Mezetin par Vatteau, de 10 pouces de haut sur 7 pouces de large, dans sa bordure dorée," and sold for 300 ...
Jupiter and Antiope (French: Jupiter et Antiope) is an oil painting by the French artist Antoine Watteau. It is also known as the Satyr and the Sleeping Nymph and was probably painted between 1714 and 1719. Intended to be placed over a doorway, today it hangs in the Musée du Louvre in Paris.