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The camera is mounted to the dolly and the camera operator and focus puller or camera assistant usually ride on the dolly to push the dolly back and forth. The camera dolly is generally used to produce images which involve moving the camera toward or away from a subject while a take is being recorded, a technique known as a "dolly shot".
C-stand – Originally known as a century-stand, it is designed to take up very little space and is generally made up of four parts, including the base, a vertical leg with multiple stands, a gobo head and a gobo arm. One of the most common pieces of equipment on a film set, it can hold a variety of reflectors, lights, show cards or boom ...
Techniques that allow a digital image to show a wider contrast range than current image sensors can record in one file. Some cameras have firmware to do the processing. [10] ICM: Intentional camera movement. The camera or the focus or zoom of its lens is adjusted by the photographer during an exposure in order to achieve special or artistic ...
A C-stand with an upper most leg which is moveable on the vertical axis is called a Stair Leg C-stand or a Sliding Leg C-Stand, as the unit can be placed on a stairway. Also called a Rocky Mountain Leg. [4] [13] A Punky C-Stand is a 20" C-Stand with a smaller base and footprint than the standard 20" size. [14]
Most camera equipment includes a built-in female 1/4-20 receptacle, so the majority of tripod heads utilize a male 1/4-20 screw as their head mounts. Many consumer level tripod heads use the bare head mount to attach the camera, but higher end models often include a camera mounting system that is pre-attached to the head mount.
In cinematography, a jib is any boom device used to mount a camera on one end, and a counterweight with camera controls on the other. [1] In principle, it operates like a see-saw, with the balance point located closer to the counterweight, which allows the end of the arm with the camera to move through an extended arc. Typically a jib permits ...