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Q1 The speaker addresses his soul, which he pictures as a poor or empty interior, as opposed to his body, a gaudy exterior. Q2 He questions the soul's "large cost" lavished on a body which will shortly die. Q3 Continuing his financial metaphor, he urges the soul to turn the body's inevitable loss into the soul's gain.
Critical reception for The Aesthetic Contract has been positive. [1] [2] In a review in The Comparatist David Halliburton wrote "In sum, The Aesthetic Contract is a strong, broad comparative study of major patterns in the modernity of the West from the time of the Protestant Reformation to our own, soon-to-expire, century."
Aesthetic reading differs from efferent reading in that the former describes a reader coming to the text expecting to devote attention to the words themselves, to take pleasure in their sounds, images, connotations, etc. Efferent reading, on the other hand, describes someone, "reading for knowledge, for information, or for the conclusion to an ...
To avoid this, free men contract with each other to establish political community (civil society) through a social contract in which they all gain security in return for subjecting themselves to an absolute sovereign, one man or an assembly of men. Though the sovereign's edicts may well be arbitrary and tyrannical, Hobbes saw absolute ...
Reception theory is generally referred to as audience reception in the analysis of communications models. In literary studies, reception theory originated from the work of Hans-Robert Jauss in the late 1960s, and the most influential work was produced during the 1970s and early 1980s in Germany and the US (Fortier 132), with some notable work ...
The concept of the anima mundi , world soul (Ancient Greek: ψυχὴ κόσμου, psychḕ kósmou), or soul of the world (ψυχὴ τοῦ κόσμου, psychḕ toû kósmou) posits an intrinsic connection between all living beings, suggesting that the world is animated by a soul much like the human body.
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