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Three Pieces for Solo Clarinet is a solo instrumental work by Igor Stravinsky. The work was composed in 1918. [ 1 ] It was published in 1919, shortly after the completion of his Suite from L'Histoire du Soldat , as a thank-you gift to the philanthropist and arts patron Werner Reinhart , who was also an amateur clarinetist. [ 2 ]
A puzzle canon, riddle canon, or enigma canon is a canon in which only one voice is notated and the rules for determining the remaining parts and the time intervals of their entrances must be guessed. [44] "The enigmatical character of a [puzzle] canon does not consist of any special way of composing it, but only of the method of writing it ...
Compositions for clarinet, violin, cello and piano (3 P) Pages in category "Compositions for clarinet" The following 25 pages are in this category, out of 25 total.
Pour Pablo Picasso, for solo clarinet (1917) Unpublished. Canon for Two Horns (1917) Unpublished. Ragtime for Eleven Instruments (1917–18) Lied ohne Name (Duet for Two Bassoons) (1918) Suite from L'Histoire du soldat, for violin, clarinet, and piano (1919) Three Pieces for Clarinet (1919) Concertino, for string quartet (1920)
Canon. [1] Play ⓘ A Table canon is a retrograde and inverse canon meant to be placed on a table in between two musicians, who both read the same line of music in opposite directions. As both parts are included in each single line, a second line is not needed. Bach's The Musical Offering contains a table canon. [2]
The A clarinet is not commonly used in band music. G clarinet — An instrument that today appears in various guises: a "Turkish clarinet" with Albert system keywork and a range to low E, a Boehm or Oehler system instrument to low E made predominantly in Germany, Italy or China, and as a Boehm system instrument with range to low C (basset ...
The first piece is in A minor and begins dreamily with hints of melancholy, but concludes with a resolution and hope in A major, looking forward to the next movement.. The second piece is in A major and is playful, upbeat, energetic and positive, with a central section modulating to F major with chromatic triplets in dialogue with the piano.
The work is instrumented for clarinet (or violin) and piano. [6] It is in three movements: Adagio – Allegro; Adagio con moto; Adagio – Allegro non troppo – Prestissimo; Bert Hagels comments in his liner notes that much of the structure (but not the themes) in the first movement makes use of musical procedures which Beethoven pioneered in his Piano Sonata, Op. 53 and Symphony, Op.67.