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L'Avventura (English: "The Adventure") is a 1960 drama film directed by Michelangelo Antonioni.Developed from a story by Antonioni with co-writers Elio Bartolini and Tonino Guerra, the film is about the disappearance of a young woman (Lea Massari) during a boating trip in the Mediterranean, and the subsequent search for her by her lover (Gabriele Ferzetti) and her best friend (Monica Vitti).
La Notte is considered the central film of a trilogy beginning with L'Avventura (1960) and ending with L'Eclisse (1962). [1] [2] [3] It was one of Stanley Kubrick's 10 favorite films and received 4 votes from critics and 6 votes from directors in the 2012 Sight & Sound greatest films poll.
At the 1960 Cannes Film Festival it received a mixture of cheers and boos, [10] [11] but won a Jury Prize and became popular in arthouse cinemas around the world. La notte (1961), starring Jeanne Moreau and Marcello Mastroianni, and L'Eclisse (1962), starring Alain Delon and Monica Vitti, followed L'avventura. These three films are often ...
German director Jan-Ole Gerster’s mesmerizing, mostly English-language “Islands” opens with a scene that for many would mark “rock bottom” — reason to check oneself into rehab — as ...
The plot was inspired by Argentine-French writer Julio Cortázar's 1959 short story "Las babas del diablo", which was later retitled "Blow-Up" to tie in with the film. [5] Set within the contemporary mod subculture of Swinging London , the film follows a fashion photographer (Hemmings) who believes he has unwittingly captured a murder on film.
L'Avventura: Michelangelo Antonioni: Gabriele Ferzetti, Monica Vitti, Lea Massari: Drama: Italian-French co-production [6] [7] Appuntamento a Ischia: Mario Mattoli — — [8] Appuntamento in paradiso — — — [citation needed] Austerlitz: Abel Gance: Pierre Mondy, Rossano Brazzi, Claudia Cardinale: Epic: French-Italian-Yugoslavian co ...
The film is considered the last part of a trilogy and is preceded by L'Avventura (1960) and La Notte (1961). [3] [4] [5] L'Eclisse won the Special Jury Prize at the 1962 Cannes Film Festival and was nominated for the Palme d'Or. [6] Described by Martin Scorsese as the boldest film in the trilogy, it is one of the director's more acclaimed works.
The film premiered at the 21st Venice International Film Festival, and was released to Italian theatres on September 29, 1960. It received mixed reviews from critics. While some praised the filmmaking, others, particularly Jacques Rivette, criticized Pontecorvo's decision to dramatize the Holocaust, unprecedented at the time.