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In Balangaw, the instrument is called dad-ayu. In Bontoc, it is known as diwdiw-as. In Tingguian, dwdew-as. In Kankanai, diwas. [4] In these variations, the number of pipes ranges from five to eight. The size, length, and radius of the instruments vary from one ethnic group to another, but exact measurements are not required.
The Cordillera region is known for its unique musical instruments including the gangsa kalinga, nose flute, bamboo flute, buzzer, bangibang, tongatong, diwdiw-as, saggeypo, and bamboo zither. The region is also known for their dance, arts, and crafts like wood-carving, ibaloi basket, loom weaving, tinalik, loinclothes called ikat, amulets ...
"Philippine Music Instruments". National Commission for Culture and the Arts. Archived from the original on December 1, 2008; Manuel, E. Arsenio (1978). "Towards an Inventory of Philippine Musical Instruments: A Checklist of the Heritage from Twenty-three Ethnolinguistic Groups" (PDF). Asian Studies.
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This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
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The instrument itself also varies in size, depending on the player. Male players typically play biwa that are slightly wider and/or longer than those used by women or children. The body of the instrument is never struck with the plectrum during play, and the five string instrument is played upright, while the four string is played held on its side.
The luntang is a type of Philippine xylophone of the Maguindanaon people, strung vertically, with five horizontal logs hung in ascending order arranged by pitch. The Maguindanaon refer to this instrument as a luntang while the Yakan call it a kwintangan kayo.