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In Balangaw, the instrument is called dad-ayu. In Bontoc, it is known as diwdiw-as. In Tingguian, dwdew-as. In Kankanai, diwas. [4] In these variations, the number of pipes ranges from five to eight. The size, length, and radius of the instruments vary from one ethnic group to another, but exact measurements are not required.
"Philippine Music Instruments". National Commission for Culture and the Arts. Archived from the original on December 1, 2008; Manuel, E. Arsenio (1978). "Towards an Inventory of Philippine Musical Instruments: A Checklist of the Heritage from Twenty-three Ethnolinguistic Groups" (PDF). Asian Studies.
The Cordillera region is known for its unique musical instruments including the gangsa kalinga, nose flute, bamboo flute, buzzer, bangibang, tongatong, diwdiw-as, saggeypo, and bamboo zither. The region is also known for their dance, arts, and crafts like wood-carving, ibaloi basket, loom weaving, tinalik, loinclothes called ikat, amulets ...
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
Philippine gong music today can be geographically divided into two types: the flat gongs commonly known as gangsà unique to the groups in the Cordillera mountains and the bossed gongs of Muslim and animist groups spanning the Sulu archipelago, much of Mindanao, Palawan, and the inlands of Panay and Mindoro.
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Notes on the Musical Instruments and Agricultural and Other Instruments of the Nepalese, by A. Campbell, Journal of the Asiatic Society of Bengal, Vol. 6 (1837), pp. 953-963. The Grove Dictionary of Musical Instruments is a more comprehensive resource, with many instruments having been documented by ethnomusicologists. Random entries for Nepali ...
Taking a literal view of the title, he wrote, "It was performed in November, and to me that project represented a new step: thus, I titled the work November Steps." He further explained, "In Japanese music, danmono are the equivalent of western variations, and the word dan means step. My 'November Steps' are a set of eleven variations." [6]