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From an early age, Browning (b. 1812) had been an admirer of the (early) works of Wordsworth (b. 1770). [8] As Baker (2004) observes, Browning had sought to become "Wordsworth's radical successor", and his attitude towards Wordsworth was "a test model of a strong poet's quest for self-definition against an overbearing predecessor".
He noticed the similarities with Thomas Malory's Le Morte d'Arthur, but believed that the poem was based on Malory rather than vice versa. [13] [16] A lengthy but rather facetious synopsis of the Morte, with quotations, figured in the Specimens of Early English Metrical Romances (1805) by George Ellis. Ritson's late date for the poem was there ...
Poem 68 is a complex elegy written by Catullus, who lived in the 1st century BCE during the time of the Roman Republic. This poem addresses common themes of Catullus' poetry such as friendship, poetic activity, love and betrayal, and grief for his brother.
Blake's illustration to the poem depicts two women supporting a naked semi-supine male figure who appears to be unconscious or dead. An elderly man prepares to pour liquid from a jug over the figure. On the elderly man's clothing the words "it is raised a spiritual body" ( 1 Corinthians 15:44) are written.
The poem's plot revolves around two sworn friends, Amis and Amiloun, who are born to different parents in different parts of a kingdom but look identical. They serve the same duke. Amis falls in love with a beautiful girl, Belisaunt, who seduces him, but the duke's steward betrays him to the duke.
The authorship of the "Sorrow for Troth Betrayed" poem has been attributed to both Qu Yuan (d. about BCE 278) and Jia Yi (d. BCE 168 or 169); but, based on internal evidence, Sorrow for Troth Betrayed appears to have been written by an anonymous author after the lifetimes of both Qu Yuan and Jia Yi.
Levin on the other hands states that the poet feels that the Dark lady may have run off with the young man and left him with his desire for her that is unfulfilled "for the poet, the Dark Lady becomes the occasion for fiction making: she becomes the emblem of unchecked desire, passion, and frustration, but also a symbol of mystery". [25]
[a] The poem intertwines a love plot between Mazepa and Maria with an account of Mazepa's betrayal of Tsar Peter I and Peter's victory in battle. Although often considered one of Pushkin's lesser works and critiqued as unabashedly imperialistic, a number of critics have praised the poem for its depth of characterization and its ability to ...