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The term baritone was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.
Baritone D 3: G 3: B 3: E 4; Banjo ukulele, banjo uke, banjelele, banjulele US Hybrid of banjo and ukulele. Same tuning as a ukulele of the same scale. Banjolin: 4 strings 4 courses. G 3 D 4 A 4 E 5: Mandolin-banjo, Melody Banjo, banjoline, bandoline US Hybrid of mandolin and banjo but with only one string per course Banjo, Long Neck 5 strings ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Baritone range: The vocal range of the baritone lies between the bass and tenor ranges, overlapping both of them. The typical baritone range is from A2 (the second A below middle C) to A4 (the A above middle C). A baritone's range might extend down to F2 or up to C5. The baritone is the most common type of male voice. [6]
A Heldenbaritone, also known as dramatic bass-baritone or hoher bass (high bass), is an opera singer, a German dramatic baritone. "Heldenbaritone" (Ger. "Heroic baritone) is a fach (operatic voice type) that is usually associated with the operas of Richard Wagner. It is usually sung by bass-baritones such as Hans Hotter, Theo Adam or Bryn ...
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The baritone horn, sometimes called baritone, is a low-pitched brass instrument in the saxhorn family. [2] It is a piston-valve brass instrument with a bore that is mostly conical , like the smaller and higher pitched flugelhorn and tenor horn , but it has a narrower bore compared to the similarly pitched euphonium .
The basic setup is shown here, with names of open notes for each partial on the left and rhythm or rhythmic notation above. The bottom line, indicating first-partial pedal tones, is not usually used by trumpet or horn. The seventh partial (B♭ on trumpet) is flat relative to equal temperament, and thus its use is also avoided.