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Over 2,200 different pairs of wooden shoes and footwear with wooden soles from 43 countries. [4] Hundreds of pieces of clog-making equipment from seven European countries. Simple machinery dating from the 1920s, from the Netherlands, Germany and France. An extensive collection of international literature, including photographs.
Dutch clogs, for everyday use. The red painting on top makes the clogs look like leather shoes. It is a traditional motif on painted clogs. A klomp (Dutch: ⓘ, plural klompen [ˈklɔmpə(n)] ⓘ) is a whole-foot clog from the Netherlands. Along with cheese, tulips, and windmills, they are strongly associated with the country and are considered ...
In truth, sabotage is derived from the noise and clumsiness associated with the wooden sabot shoe. [2] The American artist Henry Ossawa Tanner settled in France and one of his paintings depicts sabot manufacture. The picture, The Young Sabot Maker, is now on display in the Nelson-Atkins Museum of Art, Kansas City, Missouri.
William (Boy) Habraken was born at the end of World War II in Eindhoven, The Netherlands. At the age of twenty he separated from his father's shoe-business and started his own import/wholesale company in footwear. In 1970 he moved to Taiwan to become one of the first people to export shoes from there and China to Europe.
A shillelagh (/ ʃ ɪ ˈ l eɪ l i,-l ə / shil-AY-lee, -lə; Irish: sail éille or saill éalaigh [1] [ˌsˠal̠ʲ ˈeːlʲə], "thonged willow") is a wooden walking stick and club or cudgel, typically made from a stout knotty blackthorn stick with a large knob at the top. It is associated with Ireland and Irish folklore.
Pattens were worn outdoors over a normal shoe, had a wooden or later wood and metal sole, and were held in place by leather or cloth bands. Pattens functioned to elevate the foot above the mud and dirt (including human effluent and animal dung) of the street, in a period when road and urban paving was minimal. Women continued to wear pattens in ...