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Charles Thomas Studd, often known as C. T. Studd (2 December 1860 [1] – 16 July 1931), was a British missionary, a contributor to The Fundamentals, and a cricketer.. As a British Anglican [2] Christian missionary to China he was part of the Cambridge Seven, and later was responsible for setting up the Heart of Africa Mission which became the Worldwide Evangelisation Crusade (now WEC ...
{{Poetically break lines}} is a template designed to format poetry simply and reliably. It differs from {} in two significant ways: it does not add spacing around the poem that sets it apart as “block quote”, and it automatically provides hanging indentation when lines are so long that they wrap. This is an advantage in a few specific ...
Christ III is an anonymous Old English religious poem which forms the last part of Christ, a poetic triad found at the beginning of the Exeter Book. Christ III is found on fols. 20b–32a and constitutes lines 867–1664 of Christ in Krapp and Dobbie's Anglo-Saxon Poetic Records edition.
The sequence of Christ I-III is sometimes known simply as Christ, and has at times been thought to be one poem completed by a single author. Linguistic and stylistic differences indicate, however, that Christ I-III originated as separate compositions (perhaps with Christ II being composed as a bridge between Christ I and Christ III).
These included poems about the Real Presence in the Blessed Sacrament, a poem that sympathetically describes St. Joseph's crisis of faith, about the traumatic but purgatorial sense of loss experienced by St. Mary Magdalen after the Crucifixion of Jesus Christ, and about attending the Tridentine Mass on Christmas Day.
In that regard the Nativity Ode is to Blake the rebirth of Milton's poetry into the creative imagination of Christ. [11] Blake also sees a return to prophetic, Christian ideals of poetry, rather than the "pagan" classical aesthetic represented in The Overthrow of Apollo and the Pagan Gods by the figure of Apollo, who is modeled on the Apollo ...
The poems of the Junius Manuscript, especially Christ and Satan, can be seen as a precursor to John Milton's 17th-century epic poem Paradise Lost. It has been proposed that the poems of the Junius Manuscript served as an influence of inspiration to Milton's epic, but there has never been enough evidence to prove such a claim (Rumble 385).
Free scores by Thomas Ford in the Choral Public Domain Library (ChoralWiki); Free scores by Thomas Ford at the International Music Score Library Project (IMSLP); The poem that appeared anonymously and without a title in a manuscript found in the library of Christ Church, Oxford, and which starts 'Yet if his Majesty, our sovereign lord . . ', has been attributed to Ford.