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This print from the Ravi Varma Press derived from a painting by Raja Ravi Varma follows the iconographic description of Saraswati as found in the 50th chapter of the Agni Purana. She is described in the Agni Purana as being attired in white and playing the Veena with two arms and holding an aksha-mala (a string of pearls) and a pustaka (book ...
Saraswati begins circumambulating him in reverence. Not wishing to keep turning his face to see her, Brahma produced faces on the sides and back of his head. Sarasvati then leapt into the sky and a fifth face emerged from Brahma, looking upwards.
Makara_or_yali,_from_Walters_Art_Museum_statue_"Saraswati".jpg (397 × 360 pixels, file size: 78 KB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Mahasarasvati is described to be the slayer of Shumba in the Devi Bhagavata Purana, suggesting that she has little to do with Saraswati. [7] Mahalakshmi is the prosperity aspect of Devi. She has two forms, Vishnu-priya Lakshmi and Rajyalakshmi. The former is the embodiment of chastity and virtuousness. The latter goes about courting kings.
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Shri Narasimha Saraswati [3] (birth name - Shaligramadeva or Narhari) lived from 1378 to 1459 (Shaka 1300 to Shaka 1380). [4] Saraswati was born into a Deshastha Brahmin family in Karanjapura, modern-day Lad-Karanja (Karanja) in the Washim district, which is a part of Vidarbha region of Maharashtra, India. [5]
"I told my friends [about her], and they were like, 'Oh, Jesus Christ. It's like a miracle,'" Alec recalls to PEOPLE
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