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In Boston and Philadelphia in the decades around the American Revolution, the adoption of plain undress styles was a conscious reaction to the excesses of European court dress; Benjamin Franklin caused a sensation by appearing at the French court in his own hair (rather than a wig) and the plain costume of Quaker Philadelphia.
The French Revolution is largely responsible for altering the standard male dress. During the revolution, clothing symbolized the division between the upper classes and the working-class revolutionaries. French rebels earned the nickname sans-culottes, or "the people without breeches," because of the loose floppy trousers they popularized. [56]
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another.
Directoire style (French pronunciation: [diʁɛktwaʁ] ⓘ) was a period in the decorative arts, fashion, and especially furniture design in France concurrent with the Directory (November 2, 1795–November 10, 1799), the later part of the French Revolution.
Though seen throughout the French Revolution, perhaps the most well known French reincarnation of the fasces is the Fasces surmounted by a Phrygian cap. This image has no display of an axe or a strong central state; rather, it symbolizes the power of the liberated people by placing the Liberty Cap on top of the classical symbol of power.
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not ...
Theaters thrived, and popular music satirized the excesses of the Revolution. One popular song of the period called on the French people to "share my horror" and to send "these drinkers of human blood" back amongst the monsters from which they had sprung. Its lyrics rejoiced that "your tormentors finally grow pale at the tardy dawn of vengeance ...
Mary II wears 1688 fashion: a mantua with elbow-length cuffed sleeves over a chemise with lace flounces at the elbow, a wired lace fontange, opera-length gloves, and pearls. Spanish court fashion of c. 1690 shows a long, rigidly corseted line with a broad neckline and long sleeves. Mary II of England. By 1690, hair was dressed high over her ...