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Victor Vasarely (French: [viktɔʁ vazaʁeli]; born Győző Vásárhelyi, Hungarian: [ˈvaːʃaːrhɛji ˈɟøːzøː]; 9 April 1906 [1] – 15 March 1997) was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader [2] of the Op art movement. His work titled Zebra, created in 1937, is considered by some to be one of the ...
February 28 – Harrington Mann, Scottish-born portrait painter and decorative artist in the United States (b. 1864) March 9 – Alfred Flechtheim, German-born art dealer, collector and publisher (b. 1878) March 12 – Eveleen Tennant Myers, English portrait photographer (b. 1856) April 19 – Martin Conway, English art critic (b. 1856)
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Jean-Pierre Vasarely (1934–2002), professionally known as Yvaral, was a French artist working in the fields of op-art and kinetic art from 1954 onwards. He was the son of Victor Vasarely , who was a pioneer of op-art.
He was one of the leading figures in the Op Art movement during the late 1960s and throughout the 1970s. [6] Victor Vasarely in France and Bridget Riley in England were his primary international counterparts. In 1964, Life magazine called him "one of the new wizards of Op". [7]
An optical illusion by the Hungarian-born artist Victor Vasarely in Pécs (1977). Op art ceramic mosaics by Wojciech Fangor in a railway station in Warsaw in Poland (1963). Op art in modern architecture as a mosaic, painting with enamel paint on steel by Stefan Knapp in University of Toruń in Poland (1972). Op art perhaps more closely derives ...
Fondation Vasarely was established in 1966 by Victor Vasarely, aiming to build a centre "to promote his ideas of 'art for all' and of the 'city of tomorrow'." [ 1 ] Construction of the building started in 1973 with architects John Sonnier and Dominique Ronsseray implementing the designs of Vasarely, and it was inaugurated 14 February 1976.
The Op art work is a grid of diagonal squares arranged to form a bright green central cross, whose colours fade and darken to black in successive rows away from it, overlaid with a pattern of uniformly dark blue roundels. Clipping of the shapes suggests overlapping layers, whose inferred edges interrupt the symmetry of the shapes with an ...