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Foxing began in 2011 following the end of the group Hunter Gatherer, [1] a post-rock band active from 2008 to 2010 that featured Josh Coll, Jon Hellwig and Matthew Piva. The initial lineup of the band shortly expanded to include Conor Murphy, who was then the bassist of the then active emo group Family Might and formerly the vocalist of the indie/post-rock band Torchlight Red.
A day later, the track listing was released, with "Smart" confirmed as a song on the album. [3] [4] The music videos teaser was released on March 4 [5] and the music video was released the following day, on March 5. [6] On March 20, it was announced that an English version and remixes of the song would be released on March 22. [7]
The Albatross is the debut studio album by American indie rock band Foxing. The album was released on November 12, 2013 through Count Your Lucky Stars Records . Reception
A new recording of "The Pop Singer's Fear of the Pollen Count" and a remixed version of "Your Daddy's Car"—both originally from the band's 1993 album Liberation—were included, along with two new tracks: "Gin Soaked Boy" and "Too Young to Die".
The disruptions caused by the COVID-19 pandemic caused multiple difficulties for Foxing. They had planned to "road test" a handful of songs on Draw Down the Moon during a May 2020 tour with Bent Knee before the virus brought touring to a halt, and to make up for the lost income usually provided by touring, Murphy and guitarist Eric Hudson both began offering music lessons over Skype. [7]
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The Secret History's first release was the Desolation Town EP in 2008, on the indie label Le Grand Magistery.. The band's debut album, 2010's The World That Never Was (Le Grand Magistery), was a critical success, landing on best-of lists from AllMusic, [1] Spectrum Culture [2] and public radio station KEXP [3] (in addition to cracking the CMJ Top 200 for college radio airplay overall.)
Beth Bowles of Exclaim! gave the release a 7 out of 10, explaining "while Foxing haven't totally abandoned their previous post-punk roots, Nearer My God clings tight to experimental synth-rock. This album has the kind of confusion we associate with Radiohead; sometimes it's rock, sometimes it's punk, sometimes it's just noise."