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Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
The mosaics in the Dome of the Rock in Jerusalem show the influence of Byzantine designs. Some Western art historians have dismissed or overlooked Byzantine art in general. For example, the deeply influential painter and historian Giorgio Vasari defined the Renaissance as a rejection of "that clumsy Greek style" ("quella greca goffa maniera"). [20]
The Worcester Hunt is a well-preserved example of sixth century Byzantine mosaics. Most large-scale works of Byzantine art during this period were commissioned by the Eastern Orthodox Church or wealthy patrons of the elite upper classes. [ 3 ]
Macedonian art is the art of the Macedonian Renaissance in Byzantine art style. The period in which the art was produced, the Macedonian Renaissance, followed the end of the Byzantine iconoclasm era lasting from 867-1056, concluding with the fall of the Macedonian dynasty .
Byzantine art is the art of the Greek-speaking Byzantine Empire formed after the division of the Roman Empire between Eastern and Western halves, and sometimes of parts of Italy under Byzantine rule. It emerges from Late Antiquity in about 500 CE and soon formed a tradition distinct from that of Catholic Europe but with great influence over it.
An example of the mixture of different styles is the Melisende Psalter, an illuminated manuscript produced in the mid-12th century, perhaps for Queen Melisende of Jerusalem. It reflects her European and Armenian heritage, and is also influenced by Byzantine and Islamic techniques.
Reverse perspective, also called inverse perspective, [1] inverted perspective, [2] divergent perspective, [3] [4] or Byzantine perspective, [5] is a form of perspective drawing where the objects depicted in a scene are placed between the projective point and the viewing plane.
Many have fine examples on display, notably the British Museum, the National Museum of Scotland, the Metropolitan Museum of Art in New York and the Louvre in Paris. [8] Because they were mostly recovered through inappropriate and unprofessional means, virtually all are without archaeological context, a fact which consistently lowers the quality ...