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Figurative palanquin; drawing by Ataa Oko from Ghana. Among Christians, the use of custom coffins is relatively recent and began in the Greater Accra Region around 1950. They were formerly used only by Ga chiefs and priests, but since around 1960, figurative coffins have become an integral part of the local funeral culture. [4]
Paa Joe with a sandal coffin in collaboration with Regula Tschumi for the Kunstmuseum Berne 2006. Paa Joe was born in 1947 at Akwapim in the Eastern Region of Ghana. Joe began his career with a twelve-year apprenticeship as a coffin artist in the workshop of Kane Kwei (1924–1992) in Teshie. [8]
The Christians and common Ga began to use figurative coffins around 1950 to 1960. As they were not allowed to use family symbols, which were still reserved for their traditional chiefs, carpenters such as Ataa Oko (1919–2012), Kane Kwei (1925–1992) and others began to produce figurative coffins avoiding the traditional totem symbols. They ...
Around 1960 the use of figurative coffins for Ga burial rites became widespread. Design coffins are acknowledged as symbolic of contemporary creation in Africa. At the death of Kane Kwei, his son Sowah took over the workshop, then Cedi – Kane Kwei's younger child – after the death of Sowah in 1999.
The castrum doloris was a temporary catafalque erected around the coffin for the lying in state of important people, usually in a church, the funerary version of the elaborate temporary decorations for other court festivities, like royal entries. These began in the late Middle Ages, but reached their height of elaboration in the 18th century. [115]
Ataa Oko was making figurative coffins as long ago as 1945, that is to say, according to her, before Kane Kwei, who was generally recognised outside Ghana as having "invented" these coffins for the burial rituals of the Ga. [3] In her PhD thesis 2013 Regula Tschumi makes the first deep research about the formerly unknown figurative palanquins ...