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Messiah (HWV 56) [1] [n 1] is an English-language oratorio composed in 1741 by George Frideric Handel.The text was compiled from the King James Bible and the Coverdale Psalter [n 2] by Charles Jennens.
At the time of its release, music critics commented on the choir's "great romantic choral tone, deep with feeling that is able to communicate the inner meaning of the world's great choral music." Paul Hume, music critic for the Washington Post, wrote that "this sound of the Mormon Tabernacle Choir has been a special beacon for those who love ...
It should only contain pages that are John Conlee songs or lists of John Conlee songs, as well as subcategories containing those things (themselves set categories). Topics about John Conlee songs in general should be placed in relevant topic categories .
Conlee was born on a tobacco farm in Versailles, Kentucky. [5] By age 10, Conlee had begun singing and playing guitar, and later sang tenor in a barbershop quartet. [6]Conlee did not immediately take up a musical career, instead becoming a licensed mortician, [7] [6] employed by Duell-Clark Funeral Chapel, and later a disc jockey at radio stations WQXE in Elizabethtown, Kentucky, [8] and at ...
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
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Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel's setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel’s setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.