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Messiah (HWV 56) [1] [n 1] is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter [ n 2 ] by Charles Jennens .
The classic recording of George Frideric Handel's masterpiece was recorded during the Choir's 1958 concert tour and has been remastered for CD. This recording was selected by The National Recording Registry for the recorded sound section of the Library of Congress in 2004 as being "culturally, historically or aesthetically important."
The song was arranged and produced by Take 6 alumnus Mervyn Warren, and conducted by Quincy Jones. [1] Handel's Messiah: A Soulful Celebration won the Grammy Award for Best Contemporary Soul Gospel Album in 1992, as well as a Dove Award for Contemporary Gospel Album of the Year. [2] The vocalists performing on "Hallelujah!"
For example, Handel's Messiah can be referred to as: HG xlv, HHA i/17, or HWV 56. [1] Some of Handel's music is also numbered based on initial publications, for example a 1741 publication by Walsh labelled twelve of Handel's concerti grossi as Opus 6.
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
Hallelujah! (gospel song) Handel's Last Chance; Handel's Messiah: A Soulful Celebration; M. Messiah (1999 film) Messiah (Mormon Tabernacle Choir album) Der Messias; R.
Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel’s setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
Scene 2: "The prophecy of the coming of Messiah and the question, despite (1), of what this may portend for the World" (movements 5–7) Scene 3: "The prophecy of the Virgin Birth" (movements 8–12) Scene 4: "The appearance of the Angels to the Shepherds" (movements 13–17) Scene 5: "Christ's redemptive miracles on earth" (movements 18–21 ...