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Eaten Alive is the sixteenth studio album by American R&B singer Diana Ross, released on September 24, 1985, by RCA Records in the United States, with EMI Records distributing elsewhere. It was Ross' fifth of six albums released by the label during the decade.
"Classic Rock" was first issued in the winter of 1988, with the first volume in the series titled Classic Rock: 1965.Like most compilation albums, songs by two of the era's most successful groups – The Beatles and The Rolling Stones – were not included due to licensing issues; however, several albums had cover art with drawings of male rock singers resembling The Beatles.
Humble's restructuring allowed both companies to sell and market gasoline nationwide under the Esso, Enco and Humble brands. The Enco brand was introduced by Humble in the summer of 1960 at stations in Ohio, but was soon blackballed after Standard Oil of Ohio protested that Enco (Humble's acronym for "ENergy COmpany") sounded and looked too much like Esso as it shared the same oval logo with ...
One Woman: The Ultimate Collection is a compilation album released by American R&B singer Diana Ross by EMI on October 18, 1993. The single-disc collection was the alternative to Ross' 1993 four-CD box set, Forever Diana: Musical Memoirs, which was a 30th anniversary commemorative of her hit-making years over three decades including work with The Supremes.
Ross S. Sterling (1875–1949), Texas governor Sterling High School (Houston) , named for the governor Ross N. Sterling (1931–1988), United States federal judge
This Is The Story is a box set, released in 2006, comprising The Supremes' albums from the period 1970-1973, featuring new lead singer Jean Terrell, along with Mary Wilson, Cindy Birdsong and Lynda Laurence (who replaced Birdsong in 1972.)
The Supremes at the Copa does not include the group's entire set: for example, "From This Moment On" was the opening number in their Copa set, not "Put on a Happy Face". When the tapes were brought back to Detroit following the Copa engagement, it was discovered the recording quality did not come up to Motown quality standards as the acoustics ...
According to EMI, the series was a re-promotion rather than a reissue campaign, since all the Beatles' singles had remained in print and were widely available. [5] The project resulted from the success of the 1973 double-album sets 1962–1966 and 1967–1970, [6] which the former Beatles had endorsed, and which contained all of their British single A-sides and double A-side tracks. [7]