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The shadow can be thought of as the blind spot of the psyche. [6] The repression of one's id, while maladaptive, prevents shadow integration, the union of id and ego. [7] [8] While they are regarded as differing on their theories of the function of repression of id in civilization, Sigmund Freud and Carl Jung coalesced at Platonism, wherein id rejects the nomos.
Jung mentions the demarcation between experimental and descriptive psychological study, seeing archetypal psychology as rooted by necessity in the latter camp, grounded as it was (to a degree) in clinical case-work. [75] Because Jung's viewpoint was essentially subjectivist, he displayed a somewhat Neo-Kantian perspective of a skepticism for ...
Jung considered that 'the shadow' and the anima and animus differ from the other archetypes in the fact that their content is more directly related to the individual's personal situation'. [27] These archetypes, a special focus of Jung's work, become autonomous personalities within an individual psyche.
Honegger states that O'Neill's 1979 The Individuated Hobbit [66] [63] clearly and succinctly introduces theories of mind and situates Jung's work among them. O'Neill then outlines Jung's framework and defines the key terms that Jung uses, including archetype, anima, shadow, collective unconscious, and individuation, where (he writes) Skogemann ...
Carl Jung developed the theory of cognitive processes in his book Psychological Types, in which he defined only four psychological functions, which can take introverted or extraverted attitudes, as well as a judging (rational) or perceiving (irrational) attitude determined by the primary function (judging if thinking or feeling, and perceiving ...
Carl Jung described the animus as the unconscious masculine side of a woman, and the anima as the unconscious feminine side of a man, each transcending the personal psyche. [1] They are considered animistic parts within the Self, with Jung viewing parts of the self as part of the infinite set of archetypes within the collective unconscious. [2]
Enantiodromia (Ancient Greek: ἐναντίος, romanized: enantios – "opposite" and δρόμος, dromos – "running course") is a principle introduced in the West by psychiatrist Carl Jung. In Psychological Types, Jung defines enantiodromia as "the emergence of the unconscious opposite in the course of time."
In Jung's view, "all archetypes spontaneously develop favourable and unfavourable, light and dark, good and bad effects." [9]: 267 Thus "the 'good Wise Man' must here be contrasted with a correspondingly dark, chthonic figure," [9]: 229 and in the same way, the priestess or sibyl has her counterpart in the figure of "the witch...called by Jung the 'terrible mother'."