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The Westminster Quarters, from its use at the Palace of Westminster, is a melody used by a set of four quarter bells to mark each quarter-hour. It is also known as the Westminster Chimes, Cambridge Quarters, or Cambridge Chimes, from its place of origin, the Church of St Mary the Great, Cambridge.
Sound designer and audiographer Richard King relayed to Zimmer the sound of a boat engine, which served as a reference for the tempo. [3] Wanting the "audience to feel uncomfortable", King wanted the practical sounds in the picture to provide the texture — the dive bombers, sinking ships, explosions, and the ticking clock.
They can result from improper clock sources [3] and buffer size. Also, clicks can be caused by electric devices near the computer or by faulty audio or mains cables. [4] In sample recording, digital clicks occur when the signal levels of two adjacent audio sections do not match. The abrupt change in gain can be perceived as a click. [5]
The arrangement requires temple blocks to be used as the sound of the clock that is heard throughout, except for a brief section in the middle. The piece is in 4 4 time; the opening establishes a perfectly regular "tick-tock" accompaniment, beginning with a roll off the orchestra's staccato strike of an A chord, creating an expectation that it will continue.
A click track is a series of audio cues used to synchronize sound recordings, sometimes for synchronization to a moving image.The click track originated in early sound movies, where optical marks were made on the film to indicate precise timings for musical accompaniment.
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The sudden stopping of the escapement's tooth is what generates the characteristic "ticking" sound heard in operating mechanical clocks and watches. The first mechanical escapement, the verge escapement , was invented in medieval Europe during the 13th century and was the crucial innovation that led to the development of the mechanical clock.