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A number of Catholic mystics and saints have claimed to have received visions of Hell or other revelations concerning Hell. During various Marian apparitions, such as those at Fatima or at Kibeho, the visionaries claimed that the Virgin Mary during the course of the visions showed them a view of Hell where sinners were suffering. [77]
It depicts angels helping human souls towards heaven. The attribution to Bosch is not universally accepted. [1] It is located in the Gallerie dell'Accademia in Venice, Italy. [2] This painting is part of a polyptych of four panels entitled Visions of the Hereafter. The others are Terrestrial Paradise, Fall of the Damned into Hell and Hell.
The text, which is pseudepigraphal, purports to present a detailed account of a vision of Heaven and Hell experienced by Paul the Apostle. While the work was not accepted among Church leaders, it was quite commonly read in the Middle Ages and helped to shape the beliefs of many Christians concerning the nature of the afterlife.
This article originally appeared on Wichita Falls Times Record News: 'Exorcist' turns 50: How it brought visions of hell, belief in heaven. Show comments. Advertisement. Advertisement.
Hell of the Damned, also known as "Gehenna" (Hebrew: גֵּיהִנּוֹם), is hell strictly speaking, which the Catholic Church defines as the "state of definitive self-exclusion from communion with God and the blessed". [4] Purgatory is where just souls are cleansed from any defilement before entering Heaven.
The vision of heaven is shorter than the depiction of hell, and described more fully in the Akhmim version. In heaven, people have pure milky white skin, curly hair, and are generally beautiful. The earth blooms with everlasting flowers and spices. People wear shiny clothes made of light, like the angels. Everyone sings in choral prayer. [41] [42]
Various saints have had visions of heaven (2 Corinthians 12:2–4). The Orthodox concept of life in heaven is described in one of the prayers for the dead: "…a place of light, a place of green pasture, a place of repose, from whence all sickness, sorrow and sighing are fled away". [10]
Wetti is best known for the visions of heaven and hell he had shortly before his death in about November 4, 824, which were recorded in Latin (Visio Wettini) by Heito, former abbot of Reichenau, in 824 and by Wetti's disciple Walahfrid Strabo in 827.